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for purchases, please contact me through my ⁜ gallery page
I would love the opportunity of new commissions
Check out more work in GALLEA; CAGO; Unsplash

  • * Art Exhibitions:- ‘Captured Images’ Annual exhibition, Peachland Art Gallery, BC, Canada 2024, 2023, 2022, 2021
  • Featured Artist in Novus Literary, May 2024 Gratitude to Sandee Gertz & student editors
  • “Love Keeps No Record of Wrongs:” Winning Photograph in ‘Love is Love’ Contest, Makarelle Issue 1, 2022 (defunct)
  • Art Photography: “Tattooed Tower, Toronto” and “Table Tats:” Makarelle‘s “Tattoo” Edition, 2022 (defunct)
  • “Whirling” chosen for the cover of Rattle Magazine’s ‘Young Poets Anthology‘ 2021, here. Thanks to Tim for the honour. Thanks to my granddaughter Emma for being the model.

Two more pieces in my series “Filthy Lucre,” exploring the forms, effects, and consequences of currency.
My thanks to Polly Bates & @artistsrespond1 @artistsrespondingto

  • INSTAGRAM @kerryrawli – As #sunriseguru, I offer many visions of my sunrises! (a morning meditation). Sample below:

For Ronan & Mary, contemplating their first day back, in a tiny apartment overflowing with packing boxes… Here’s a little ditty:
‘The sunrise creeps above the fells & hills. As far as I can tell, it always will.’
(Taken in the Okanagan Valley, BC, Canada)

  • Nature & Conceptual Photography in: Sunlight Press, 2020:- B.C. Mountain; Chaos Theory

(Photos taken in: Kelowna, BC Canada)

  • Urban Photography in: Watch Your Head, 2020:- The End; Cold Comfort; Montreal Wall #4; Waiting for the Driver

Photos taken in: Florida, USA; Montreal, Canada; Peachland, BC Canada
Thanks to Katherine @themockler and @WatchYrHead

  • Landscape Photography”Railway & Beach, South Africa”, in San Antonio Review, Sept 2020

Three more pieces in my series “Filthy Lucre,” exploring the forms, effects, and consequences of currency

  • Urban Photography in: Newfound, 2020:- Home Sweet Caravan

Conceptual art and poetry in Postcard form, and part of an ongoing project entitled “Postcards from Everywhere“

Six digital, conceptual art photography in my Series called ‘Chitapo.’
“Unknown to most travellers, there exists a creature of myth & cultural memory called Chitapo. If you travel in the north, there are pictures around the Kafue area that depict her; in the south around the Zambezi also. She/they are part-mermaid/ siren, part snake, lurking in the depths of the rivers and lakes…”

  • Nature & Urban Photography in: Sunlight Press, 2019:- One-way Train; Just Resting

(Photos taken in: Jasper, Canada; Kelowna, BC Canada)

  • Multi-media Asemic/polysemic art pieces in: Tupelo Quarterly, 2019:- Blood Money; Red Ink, Sewn Up; Sell Out; Bottom Lines

Three pieces in my series “Filthy Lucre,” exploring the forms, effects, and consequences of currency

  • Nature Photography in: Dual Coast, Issue #7, 2019:- Florida Sunrise Biker; Beach Walker #3

(Photos taken in Cocoa Beach, Florida)

  • Five Art Photography Portaits in: Yes Poetry, 2019:- Am’ker #511; Am’ker #4; Am’ker #27; Am’ker #515; Am’ker #17

(According to YES POetry, “Am’Ker #515” was one of the top-viewed photographs on the website for 2020)
Part of my series “Am’Ker”, exploring the many faces and guises of Woman: muse/madonna,
goddess/bitch. Model and friend: Amanda Walker

  • Black & White Urban Photography in: THEMA, 2019:- Good Fences Make Good Neighbours

(Photo taken in Johannesburg, RSA)

  • Four Abstract/ Urban Art Photographs in: Sloflopojo, February 2019:- Arbour Lights; Bar Ghosts; Log Truck; Palm Fruit Kaleidescope #4
  • Black & White Photography in: fiction international, World in Pain, Issue 51, 2018:- Freedom’s Climb; Mandela’s cell

(Photos taken on Robben Island, Cape Town, RSA)

  • Four Urban “Window” Photographs in: gravel, 2018:- Morning Window, Wales; Vancouver Glass; Seattle #7; Golden Elvis, Toronto
  • Two Urban Photographs in: Abstract Magazine, 2018:- Seattle Underground Arch; The End
  • Two Landscape Photographs in: Solidago, 2018:- Railway & Beach; Evening Lay-by

(Photos taken in South Africa)

  • Blood Down the Drain:- Abstract Photography in: Understory, 2018
  • Five Art Photography Portaits in: Moonchild Magazine, 2018 (defunct)- Am’ker #39; Am’ker #27; Am’ker #3; Am’ker #34

Part of my series “Am’Ker”, exploring the many faces and guises of Woman: muse/madonna, goddess/bitch. Model and friend: Amanda Walker

  • Urban, Portrait and Nature Photography in: Grey Borders, June 2018:- Dolls Imprisoned; Fractal; Anhinga Drying; Waiting; Old Friends
  • Abstract Urban Photography in: HCE Review Vol. ll Issue ll“CITIES”, Feb 2018:- Toronto #1

(Original Photo taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)

  • Nature Photography in:- Boned – “A Collection of Skeletal Writings”, 2017:- Elephant Skull

(Taken in Kruger National Park, South Africa)

  • Conceptual Art Photograpy in: AdHoc Fiction
    • 2017: – Slip In; Am’ker Angels; Keep Out; Rusted Light
    • 2016: – Points of Sail; Down the Drain; Rest Break; Shell Ghosts; Galaxy in a Glass; Memory Lane; Tear Down #6; Blue
  • Urban and Nature Photography in: Qwerty
    • 2017: – KVR Misty Trees (Issue 35)
    • 2014: – Birds on Wires; Bra Chandelier; Treechitecture (Issue 32)
    • 2013: – Cleaning the Steps, Bath, UK; Gastown #7 (Issue 30)
  • Conceptual Nature & Portrait Photography in: Philly Flash Inferno, 2017:- Necromancing the Stones; Am’ker #30 (defunct)

(First Photo taken in Castlerig, UK; Second Photo: part of my series “Am’Ker”, exploring the many faces and guises of Woman: muse/madonna, goddess/bitch. Model & friend: Amanda Walker

  • Conceptual Ocean Art Photography in: Non-Binary Review Issue 13, by zoetic press, 2017:- Ghost Ship Resurrection

(Photo taken in Gansbaai, South Africa)

  • Three Art Photographs in:- Anti-Herion Chic, 2017:- Hollywood Stars; High & Dry; Gargoyle, Frankfurt
  • Art Photography published in: The Peachland View page 2, Nov. 17, 2016:- On the Ridge, #11

(Original Photo taken by my nephew, Sgt. Nathan Jones)

(Both photos taken in Zambia, Central Africa)

  • Abstract Art Photography in: Fusion Art: Red, White & Blue Contest, 2016 (Finalist):- Banff Tunnel #2
  • Portraiture Art Photography in: Fusion Art: 2nd Figures and Faces Contest, Dec 2016 (Third Place Winner):- Am’ker #16

Part of my series “Am’Ker”, exploring the many faces and guises of Woman: muse/madonna, goddess/bitch. Model & friend: Amanda Walker

Part of my series “Am’Ker”, exploring the many faces and guises of Woman: muse/madonna, goddess/bitch. Model: Amanda Walker

  • Travel Art Photography in: Adirondack Review; 2014:-
    • Cape Town #16, South Africa; Montreal #17, Canada; Fishing Lights #4, South Africa; Transkei #33, South Africa; Montreal Old Port #2, Canada;  Port Townsend #6; Port Townsend #7, USA

(Original Photo taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)

(Original Photographs taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)

  • Art Photography in: WAX Poetry and Art; 2014:- Melbourne Fl #1b bw; Moth #17; Sunset at Gorman’s Mill
Oxymoron – kerry rawlinson